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Studio
Artist
Graphics Synthesizer
Steven D. King
Studio Artist 1.11 lends incredible paint and creative
tools for processing images and movies.
Reviewed by Michael Andre
May 1, 2000
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Studio Artist is an Editor's Choice Award
Winner!
"This is outstanding software!" |

Hyper-Creative Professional Software
When I first loaded the program and started working through
the tutorial for Studio Artist, I felt much like I was taking a drink from a
fire hose. There is so much this program can do. What a synthesizer is to the
musician, this program, a "graphics synthesizer", is to the creative
professional. The program is feature laden and can provide endless possibilities
to the accomplished artist or those trying to become accomplished in both still
and motion.
The interface is quite intuitive and distributed into four
distinct areas.
1) The working canvas takes up the major section
of the Studio Artist window and is where all the functions are performed. In
most cases, this is sufficient, although I found it difficult to know what was
happening with the program at times because of a lack of response in this window.
(There are times the source image is in the without any indication in this window.
Perhaps some type of indicator will appear in future versions.)
2 The source area shows a representation of the
image you are working on in its "model" state. This is valuable through
your processing, to know what your original looks like in its unaltered state.
Unlike other paint programs, there is a working area (canvas)
and the model area (source area). A great plus! Beware, there are buttons in
this window that are not intuitive. After finishing the tutorial, I am still
uncertain as to remembering the function of several of these buttons. If I chose
to customize them, it would even be more difficult.
3) The operation control area is really like a
toolbox. With so many options at the artists disposal, it takes a great
deal of time to become familiar and comfortable with the many options presented
here. According to the publisher, there are over 800 preset.
4) The canvas control strip lies at the top of
the interface and does just what it says. There are 9 main control areas in
this simple strip alone.

Studio Artist Interface
Rich and robust features abound
Intelligent Assisted Drawing
For me, the greatest feature of this program is the ability
to have the computer paint an image almost automatically. By loading a source
image, selecting the effects I wanted to use, then with a simple click of one
button, I could have the computer render my illustration. In areas where I wanted
more control, I could stop the drawing by the computer, add my touches and save
for a beautiful effect. This single feature is worth the price of the program
alone.
This is more than just a process preset by the software
engineers. Every feature is fully customizable and allows an infinite variety
for the creative. I think it would take me years to master all of the functions
available. But the redeeming grace is found in the presets and the palettes
already developed.
Should you choose to use Studio Artist for original works,
with the change from source image to source color, the artist has a palette
of colors to choose from and the ability to create, on a canvas, anything imaginable.
Again, the interface was a little cumbersome in changing the parameters of what
was in my toolbox.
Image Operations
This section of the tutorial showed the true power and
versatility of this program. There are 9 sections in this chapter but at least
9 years worth of experimentation that can be done.
By selecting a source image and defining final appearance,
there are over 800 preset paint actions to use and experiment with. Probably
more than will ever be needed. But if by some chance, it is not, each of the
presets allow customization.
Some of the programs uniqueness comes from interactive
warping, where in real-time, an image can be modified and manipulated. By using
keyboard letter keys, different areas can be selected and modified.
With the powerful masking capabilities, the artist can
choose what parts of an image to manipulate. One of the nicest features here
is the ability to mask an area, control the transparency of the applied effect
and view the results while the work is in progress.
Of course, no program would be complete without the ability
to create and modify layers. However, one shortcoming was the number of layers
available. Im not sure if I would need more than two though; based on
the ability the program has to apply the effects and record action histories
as part of the document.
 
 
Original source picture, Dry brush, Combination of tools, and
Mirrored image
The Paint Synthesizer
For creating original works or even modifying processed
images, the paint synthesizer of Studio Artist again allows for infinite control.
If you draw with the tablet, this section of the software will be your ticket.
I found working with a mouse a bit cumbersome as it is in any drawing program
where accuracy is a plus and stylus pressure sensitivity allows greater versatility.
Some of the features of the paint synthesizer include
working with bezier curves, working with paths, adjusting paths and colors,
brushes and brush sizes and shapes, background textures, global evolution and
then being able to save for future use, any paint patch presets.
Paint Action Sequences
Just like the musician uses sequences to compose the final
piece, Studio Artist allows the creative the ability to create sequences used
to compose and process the final artwork. A very valuable tool when creating
while experimenting or even recording steps to make sure the process is repeatable.
Of course the sequences captured by Studio Artist can
all be edited, saved and used on other source images. Great for keeping a consistent
look and feel to artwork being used in a brochure or book.
Movie Files
Another robust feature of Studio Artist is the ability
to work with movies, either original or modifying existing QuickTime movies.
All the tools and palettes available to the user through Studio Artist can be
used in frame manipulation of movies. Through the use of powerful and interactive
morphing and distorting tools, images can be used to create simple animations.
The list of possibilities is endless.
One of the greatest tools available is the ability to
transform an existing movie applying painting action sequences. Simply stated,
the artist can import the first frame of a movie, change it with a series of
painting actions, save the sequences of that change, then have the program apply
that sequence to each frame of the entire movie. Incredible!
Conclusion
Though the interface is a bit more complicated that most
programs, Studio Artist provides the creative with a limitless array of possibilities
for modifying existing images, creating original art or creating and modifying
animations and movies. Be prepared for a steep learning curve to master the
entire program but very helpful sections of the program dont take much
time to master because of the intuitive and visual nature of the program.
System Requirements
PowerPC based Macintosh
Mac OS 8.0 or higher
32 MB of RAM
CD ROM
Note: Will be available for PC later this year.
Price
List price
US $329.00 Mac Box Version 1.1 with Color Printed Manuals
US $ 295 Mac
CD Rom Version 1.1 with PDF Manuals
Shipping
Next Day $22.00
2-day $16.00
3-5 day $7.50
International
Next Day $40.00
3-5 Days $15.00
To Purchase by Phone Call Toll-Free 1-888-808-4188 24
hours 7days
For International Orders Call 1-415-864-6582 Ext 4 or
Fax 1-415-864-0433
Educational - Reseller - Distributors - Corporate Site
License
1-415-864-6582 Ext 12 or Email
Company
Synthetik Software
30 Sheridan Street
San Francisco, CA 94103
Vox (415) 864-6582
Fax 415) 864-0433
http://www.synthetik.com
Copyright © 2000, Michael Andre,
All Rights Reserved
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